Industrial Sunset

Industrial Sunset
Originally uploaded by fourthography.

This is a image I really like. I used a filter to enhance the colour and it ended up giving a rather spectacular sunset view. The other thing I like about this image is the fact that I managed to have a good depth of light within the the silhouette of the building and the figures walking.

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Woody

Woody

Originally uploaded by fourthography.

An interesting image. It is phallic in its nature, but the really interesting thing for me is the way the wooden sculpture plays off the colour of the background. I also like the idea of the smaller polls in the background which both break up the solid background colour and give some level of depth to the photograph.

Abandoned

Abandoned
Originally uploaded by fourthography.

This is one of those images that you manage to capture that is of the moment. In this case an old woman in a wheel chair had been left in an alley and the image manages to capture a sense of abandonment. The light also highlights the idea of desolation and I think really works with in the forum of the B&W image. Yet as is so often the case with photographs, they allow a sense of story which is actually different to the the life around them. There the woman was left while here grandsons went off to get a coffee, the alley itself while looking atmospheric is just off a busy lane. So this image represents the idea of the presentation of meaning as well as its separation from the reality around it.

Red Room

Red Room
Originally uploaded by fourthography.

An interesting shot and one that I like a lot. Continueing my theme of darkness this shot presents the idea of not only literal darkness but metaphorical as well. It invites the viewer into the image and into the something which is perhaps a little seedy.

Coloured Alley

Coloured Alley
Originally uploaded by fourthography.

This is a pretty interesting image. In truth, I was not expecting it to turn out the way it did it terms of of its colour. I had set a low temp on the WB in order to make the night sky darker on a long exposure. The end result was a rather spectacularly coloured, and surreal image. There were two light sources (street lights) shining behind me; one on each wall giving each wall its own unique light and colour tone. Give that colour of the image which first captures your attention, it is also an image about depth and darkness. The lit window on the right both adds a sense of depth as well as balancing out the colour tones from the two walls. The lights in the background extend this level of depth to the eyes visable distance. The other thing I really like about this image is the darkness and the fact that while its is pitch black, you can still see through it. This was a long exposure photograph at 10 seconds it was going to be bright (I live near the CBD so light and brightness are always a factor) this was the reason I set the low temp on the WB as it would counter the brightness of the city sky line. All in all, an unexpected result that I am more than happy with.
for those wanting EXIF data, there isn't any. Converting the RAW 16 bit image means that I have to copy the image to a new 8 bit templet which does not have the data. I prefer working in 16 bit data as you have more contol over image quality than you do with the 8 bit jpg. I can how ever give the EXIF data from the original file.
10 sec Exposure at f/3.5 ISO 100

Sunset under the Bridge

Sunset under the Bridge
Originally uploaded by fourthography.

This is an interesting shot. Not the least of which is due to its abstract nature. Very little has been done to it, indeed it has only been cropped. It is the shot of the sun setting from under a bridge. I like the juxtaposition between the two sources of light, which interesting fail to really give any brightness to the scene overall. Shape is another thing that interests me here. The angular lines of the "doorway" to the sunset remind me a lot of German expressionism, while the street light has a more "noir" feel to it. Both of which are an integral part of what Noir is, but in this case it is give a more contemporary feel due to its colour.

Big Dipper

Big Dipper
Originally uploaded by fourthography.

One of those days / nights where everything seemed to go right no matter what I shot. This is an image of the Big Dipper in Melbourne's Luna Park which is one of the oldest Theme Parks in the world, certainly in Australia built in 1912. The sky was an amazing gold by the end of the night. Here it was still pretty light, but there was lots of contrast happening. Metaphorically speaking I like the way the coaster drops right out of frame, its seems fitting that you seem to get rushed right out of the image and into the unknown. Yet like all good coasters, there is that slow moment of anticipation just before you go off the deep end. A time when all your hightend senses seem to see a lot of detail, and I think that's there as well in the texture of the wood. Its an image I like more and more as I look at it.

Golden Sunset

Golden Sunset
Originally uploaded by fourthography.

On an amazing night where the sun was truly golden, I wanted to capture the grandness of it. This shot is one which shows size and really uses a minimal landscape to accent the sky. Colour is foremost in this image and I think it golden hue works well.

Golden Streets

Golden Streets
Originally uploaded by fourthography.

On an amazing twilight night which gave out some truly amazing golden light. I captured this image of the Palais Theatre in St Kilda. I love images which seem to emerge out of the darkness. Images which let you explore areas which at first seem dark and bland but mange to hold more depth the more you look at it. This is one those images. Indeed, it is an image which reminds me a lot of David Lynch, it is certainly one I am happy with.

Light Room

Light Room
Originally uploaded by fourthography.

This is a particularly interesting image. It is a photograph about like and shadow. It is also about colour. This was a difficult shot to take because the sun was directly behind me. Why is that difficult I hear you ask. Well, because when the sun is behind you, you tend to cast a shadow. That is not evident here. Basically I hid as much of myself as possible within an existing shadow and cropped out what was left over. The end result is great example of how light and shadow can work with a colour image rather than B&W. I am sure this will be a surprise to some, it is an image all about NOT being in B&W and using all the ideas behind B&W images , light, shadow, tonal range etc etc. In fact this image simply does not work in B&W.